Sylvester Stallone prizes Jaeger-LeCoultre

Sylvester Stallone prizes Jaeger-LeCoultre in Venice’s Biennale

stalloneAmerican director, screenwriter and actor Sylvester Stallone is the recipient of the “Jaeger- LeCoultre Glory to the Filmmaker Award”, the prize recently instituted by the Venice International Film Festival and organized in collaboration with Jaeger-LeCoultre, dedicated to an artist who has left his mark in contemporary cinema. The prize has previously been awarded to Takeshi Kitano, Agnès Varda and Abbas Kiarostami.

This year, the prize is intended to celebrate Sylvester Stallone’s stature as a filmmaker. Ever since the visionary opening sequence of his first film as a writer and director, “Paradise Alley” –a chase across the rooftops of New York City in the 1940s– Stallone has shown an original eye and an auteur’s determination. His is a cinema as tender and solicitous as it is ferocious and unyielding. Through the now legendary figures of Rocky and Rambo –all of whose adventures were written by Stallone– he explored both the light and the darkness of the American dream.

Even when he participates in films solely as an actor, Stallone shapes his characters with precision, creating a gallery of vivid portraits that also count among the most lucid icons of the contemporary American cinema.

“Being honored at the Venice Film Festival – says Sylvester Stallone – is something I have always hoped would become a reality and now that it’s actually happened it’s been well worth the wait”.

The Jaeger-LeCoultre Glory to the Filmmaker Award will be presented to Sylvester Stallone on September 12 in the Sala Grande of the Palazzo del Cinema on the Lido, during the closing ceremony of the 66th Venice International Film Festival (September 2-12, 2009), directed by Marco Müller and organized by the Biennale di Venezia, chaired by Paolo Baratta.

During the presentation of the award, there will be a world-premiere screening of some sequences from the new film written by, directed by and starring Sylvester Stallone, The Expendables, with Jason Statham, Jet Li, Dolph Lundgren, and Mickey Rourke. “The Expendables – explains Stallone – is a story of heroism and the price that people pay to save others. It’s a great deal of action and human comedy as well”.

In addition, at 11 p.m. in the Sala Grande – with the support of Jaeger-LeCoultre – there will be a screening of Rambo – Director’s Cut by Sylvester Stallone, about which the director also says: “I’m very happy because I wish the director’s cut had been the actual cut. The problem with releasing a film is when you revisit it a year or some later you see all the wasted possibilities that you didn’t pay attention to the first time because of a rushed schedule. The new one has a great deal more heart to go along with the physicality of the film.”

Sylvester Stallone has already attended the Mostra in Venice on two occasions, in 1999 as the star of Cop Land by James Mangold, and in 2003 as an actor in Spy Kids 3-D: Game Over by Robert Rodriguez.

by: www.worldtempus.com

Biennale’s nominees first 3-D prize

Nominees announced for Venice Film Festival’s first ever 3-D prize

monsters_vs_aliensThe 66th Venice Film Festival has announced the nine nominees for its inaugural 3-D prize, according to Variety.

The nine nominees, all of which are from the U.S., include “Battle for Terra,” “Coraline,” “Ice Age: Dawn of the Dinosaurs,” “Jonas Brothers: The 3-D Concert Experience,” “Journey to the Center of the Earth in 3-D,” “Monsters vs. Aliens” and “My Bloody Valentine.”

The other two nominees are also scheduled to play at the festival. “Up” is part of the lineup for the Venice Pixar program, and “The Hole” will have its world premiere at Venice.

The new award is just one of several 3-D-inspired additions to the film festival. There will also be a new Orizzonti 3-D section this year.

Jury members for the 3-D prize include local 3-D filmmaker Nadia Ranocchi and U.S. film critics Scott Foundas and Dave Kehr.

The 66th Venice Film Festival runs Sept. 2 through 12.

by: latimesblogs.latimes.com

George Clooney and Matt Damon at Biennale

Venice Film Festival showcases George Clooney and Matt Damon

damon_clooneyWhile the two dozen films in contention for prizes at the Venice Film Festival could include several Oscar contenders, two of the movies with the most awards buzz – “The Men Who Stare at Goats” and “The Informant!” – are screening out of competition. “Sexiest Men” George Clooney and Matt Damon topline these two comedy dramas. These long-time pals worked together on the “Ocean’s” trilogy as well as “Syriana,” which won Clooney the 2005 supporting actor Oscar.

Part-time Italian resident George Clooney returns to the fest with “The Men Who Stare at Goats,” a serio-comic film based on Jon Ronson’s 2004 nonfiction bestseller about the US Army’s use of the paranormal for interrogation purposes.

Set in Iraq, Clooney is a so-called psychic soldier with four-time Oscar nominee Jeff Bridges (three supporting and one lead) as his mentor, two-time Oscar winner Kevin Spacey (“The Usual Suspects,” “American Beauty) as a camp commander, and Ewan McGregor as a questioning reporter.

In 2005, Clooney debuted “Good Night, and Good Luck” – his second film as a director – at the festival. Grant Heslov – who produced and co-wrote that picture with Clooney who also co-starred – helms this new film slated for release stateside on Nov. 6.

“The Informant!” is in the vein of Oscar-winning director Steven Soderbergh’s (“Traffic”) 2000 best picture contender “Erin Brockovich.” His new biopic tells the true story of Mark Whitacre, a corrupt executive turned whistleblower at agricultural giant ADM.

Oscar nominee Matt Damon (“Good Will Hunting”) packed on 30 pounds to play this part. Scott Z. Burns (“The Bourne Ultimatum”) adapted the bestselling nonfiction book of the same name by New York Times writer Kurt Eichenwald. “The Informant!” opens in the USA on Oct. 9.

by: goldderby.latimes.com

400th anniversary of Galileo Galilei’s Telescope

400 Years of Modern Astronomy

galileo_galilei_telescopeFour hundred years ago on Tuesday, an Italian professor of physics and mathematics called Galileo Galilei demonstrated a simple contraption to the Venetian Senate that would set in motion one of the most profound revolutions in human thought — a revolution that continues today.

Galileo’s device was a simple telescope — two glass lenses at the ends of a leather tube that magnified objects nine times — and it would forever change our understanding of the universe. Established theories, centuries old, would fall; it would embarrass and anger the Roman Catholic Church; and it would mark the birth of modern astronomy.

But on Aug. 25, 1609, the practical Galileo focused on the telescope’s military benefits: He told the Venetian senators that it would be invaluable in war, since one could see ships sailing into Venice’s harbor a full two hours before they became visible to the naked eye. The Senate, duly impressed, doubled his salary. (The tradition perseveres: Scientists routinely tout military and other applied uses for their research in hopes of securing funding.)

Galileo was not the first to invent the telescope. The previous year, a Dutchman called Hans Lipperhey had filed for a patent on the device in the Hague. (It was not granted since two others had filed similar claims.) In the summer of 1609, Thomas Harriot of England made telescopic observations of the moon. But it was Galileo who made the telescope famous, and with it created modern astronomy.

He worked incessantly to improve his “optick tube.” He first observed the moon, and saw that its surface was marred by craters, mountains and valleys. Nor was it perfectly spherical, as Aristotelian dogma held would be true for heavenly bodies. Turning his telescope to Jupiter, he discovered its moons Io, Europa, Ganymede and Callisto. Observing the Milky Way, he noted that he could see 10 times the number of stars that were visible to the naked eye.

Galileo would go on to catalogue sunspots on the surface of the Sun, in direct conflict with the prevailing view that the heavens were perfect and unchanging, as had been held from the time of the Greeks, and had gotten enshrined by the Church.

Galileo realized that his observations supported the Copernican view of the universe, and not the geocentric view espoused by the Church. In 1543, just before his death, the Polish astronomer Nicolaus Copernicus had published a book on heliocentric cosmology that showed that the Earth didn’t need to be at the center of the universe. It had excited little attention; it was only Galileo’s observations and Johannes Kepler’s laws of planetary motion — also published in 1609 — that would help Copernicanism supplant Ptolemaic astronomy, the erroneous theory of celestial mechanics that had held sway for 1,400 years.

In March, 1610 Galileo published Siderius Nuncius (Starry Messenger), a 24-page booklet that documented his observations. Unlike scientific treatises of the day that tended to be voluminous and written in baroque prose, Galileo’s remarkable treatise was highly readable. It started an intellectual fever that spread contagiously across Europe.

It was all heresy to the Catholic Church, and Galileo was persecuted by the Inquisition for his views. It took almost four centuries, but in 2000, Pope John Paul II formally apologized for the trial of Galileo.

Today, Galileo’s intellectual heirs continue to expand our horizons. There have been huge improvements in the science of telescopes. State-of-the-art, Earth-based telescopes are now mammoth structures, with mirrors that exceed 30 feet across — devices that would have been completely unimaginable to Galileo and his immediate successors. Some of our clearest views of space have come from the Hubble Space Telescope, a technological wonder that continues to provide one of the clearest views into the universe.

We know now that universe is about 13.7 billion years old and contains billions and billions of stars and galaxies. We live an insignificant corner of the Milky Way galaxy, orbiting a rather ordinary star. Our view of the cosmos has both expanded, and at the same time we have lost the special place once accorded to us.

And we may be getting ready for a discovery as dramatic as the fact the Earth is not the center of the universe: that life exists elsewhere. The list of extra-solar planets has been growing. There are currently about 360 such exoplanets known. Many scientists believe that life is not unique to Earth, and the processes that gave rise to life on our planet are common in the universe.

Kepler, a NASA space telescope named after Johannes Kepler that was launched in March, is currently looking for Earth-like planets that have suitable conditions to support life. On Aug. 6th, NASA announced that Kepler is working very well, and has found a exoplanet within 10 days of starting work. (This planet is too hot for life as we know it.) And just last week, we learned that the amino acid glycine — a key building block of life — had been found in a comet, strengthening the case for extraterrestrial life. While we do not know whether extraterrestrial life will ever be found, if it is found, it will only extend the revolution that Galileo started 400 years ago.

by: www.nytimes.com