The 2011 Venice Biennale: Switzerland Taps Thomas Hirschhorn and Andrea Thal

VENICE— The 2011 iteration of the Venice Biennale, that art-world exhibition that combines the Olympic thrill of awards (the Golden Lion for best in show and the Silver Lion for best emerging artists) with World’s Fair-style pavilions, is still more than a year away. Nevertheless, participating nations have already begun to announce their selections. ARTINFO will provide the latest updates as Biennale developments arise.
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Switzerland

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Swiss officials announced that Thomas Hirschhorn and Andrea Thal have been picked to represent Switzerland at the biennale in 2011. Hirschhorn, a Paris-based artist who was born in Bern, Switzerland, is perhaps best known for large-scale installations patched together with duct tape and tinfoil that often concern issues of left-wing politics and globalization. His participation in past international exhibitions has sometimes taken the form of radical interventions, as at Documenta XI in 2002, when he built his installations in a town a few miles from the exhibition’s home base of Kassel, Germany, forcing people to travel to see the work in a modest suburb. Thal is a comparatively lesser known figure. She runs Les Complices*, an artist-run gallery space in Zurich, and has organized show and projects focused on music and performance. In 2009, Switzerland sent Silvia Bächli and Fabrice Gygi to Venice, in 2007 Ugo Rondinone was tapped, and in 2005 Pipilotti Rist was picked alongside four other artists, Ingrid Wildi, Gianni Motti, Shahryar Nashat, and Marco Poloni. Despite its modest size and its supposed neutrality in international conflicts, Switzerland has proved to be a fierce competitor on the international art stage, hosting the world’s most prestigious contemporary art fair (Art Basel) and rearing many of the art world’s most formidable power players.

The Full List

Canada
America’s northern neighbor has selected multi-medium artist Steven Shearer for the 2011 biennale. Born in 1968, Shearer has exhibited infrequently in recent years, recently being paired with Daniel Guzmán in a 2008 show at New York’s New Museum. In a statement to press, National Gallery of Canada director and CEO Marc Mayer said, “Under its pop cultural surface, Steven Shearer’s work is surprisingly complex and insightful.” An alumn of American Fine Arts, the storied New York gallery run by the late Colin de Land, Shearer is represented by Galleria Franco Noero in Turin and Galerie Eva Presenhuber in Zurich. The Canadian pavilion was designed by the Milan-based architecture firm BBPR and was first used at the 1958 biennale. The nation has been participating in the international exhibition since 1952.

France
Christian Boltanski will represent France in an exhibition curated by Jean-Hubert Martin, a former director of the Centre Pompidou. The artist is best known for his haunting, dimly-lit installation often featuring children and acerbic world view. He once told an interviewer, “We are a subject one day, with our vanities, our loves, our worries, and then one day, abruptly, we become nothing but an object, an absolutely disgusting pile of shit.” France will be celebrating nearly a century in its pavilion, which was designed by Faust Finzi in 1912.

Germany
Germany’s pick for the Venice Biennale, director, actor, and artist Christoph Schlingensief has died as a result of lung cancer, according to Deutsche Well. He was 49. His selection earlier this year had been viewed as a somewhat unusual choice, since he was better known as a director than as an artist. German officials say they plan to review Schlingensief’s plans for the pavilion in coming weeks, studying the feasibility of his initial proposals. The pavilion’s curator, Susanne Gaensheimer, has said that he “had already developed many themes and details with enthusiasm,” according to Artforum. Earlier this year, Schlingensief described the honor as “a fantastic surprise,” noting that he had “worked in many areas, as a film, theater and opera director, as a producer, as a stand-up entertainer, as a person, and that includes as a sick person and Christ, not to mention as a politician and performer.” The pick had attracted criticism from many quarters, with artist Gerhard Richter calling the selection “a scandal.” Following Schlingensief’s death, Gaensheimer noted, “Now, we have to discuss things calmly and then see.” Germany’s pavilion was designed by Ernst Haiger and inaugurated in 1938 by the ruling Nazi government, a fact that has inspired artistic responses from some presenters. Hans Haacke’s 1993 exhibition, for example, included a large photograph of Hitler.

Great Britain
The British Council has selected installation artist Mike Nelson to fill the nation’s Edwin Alfred Rickards–designed pavilion. Nelson, who is known for gigantic-scaled installation work, has been shortlisted twice for the nation’s Turner Prize and appeared in a group exhibition at the 2001 Biennale. In 2008 the Tate acquired one of his large pieces, “The Coral Reef,” 2000, which will be on display at Tate Britain from May 17, 2010. Nelson’s selection could augur a more complicated presentation than the relatively compact works the pavilion has displayed in recent years, such as the contributions by Steve McQueen in 2009 and Tracey Emin in 2007.
Iceland
Libia Castro & Ólafur Ólafsson (not to be confused with artist Olafur Eliasson, who represented his native Denmark in 2003) will be handed the keys to the pavilion in 2011. The two have collaborated on projects since 1997. Castro also has distinction of being one of the rare artists picked to represent a country of which he is not a citizen, a feat achieved last year by Briton Liam Gillick, who represented Germany at the exhibition. The humble island nation has been visiting the Biennale since 1960, back when it was held in even-numbered years–this year marks their fiftieth anniversary.

Ireland
Ireland has named sculptor Corban Walker as its 2011 artist ambassador to Venice. Emily-Jane Kirwan, a director at the Pace Gallery who formerly worked as an arts officer of the South Dublin County Council, has been named the commissioner of the nation’s pavilion. Known for large-scale sculptures and installations that often involve sheets of glass, Walker’s work has recently been featured at LentSpace in downtown Manhattan and Shaquille O’Neal’s “Size Matters” show at the FLAG Art Foundation in Chelsea. His work is currently on view at the Winkleman Curatorial Research Lab in “Reflective Reflexion,” a show organized by by painter Joy Garnett. In 2009, the island nation was represented by artists Sarah Browne and Gareth Kennedy.

Israel
Artist Sigalit Landau has been picked by Israel’s Ministry of Sport and Culture to represent the country. Landau earned a solo show (curated by Klaus Biesenbach) at the Museum of Modern Art in New York 2008, where she memorably presented a hypnotic, vibrant video of her floating alongside a stream of watermelons, and another of her hoola-hooping with a ring of barbed wire. In 1995 she won the Wolf Fund Anselm Kiefer Prize, which is devoted to young artists — she was 26 at the time — and the Israel Culture Minister’s Prize. Designed by Zeev Rechter, Israel’s 1952 pavilion has three exhibition floors (a somewhat unusual feature in the Giardini), and was refurbished in 1966 by architect Fredrik Fogh, who was responsible for a 1987 addition to Scandinavia’s pavilion.

Italy
Italian culture minister Sandro Bondi has named Vittorio Sgarbi as curator of the nation’s pavilion. While previously serving as Italy’s undersecretary of culture, Sgarbi aroused controversy in 2002 when he attempted to have Australian–born art historian Robert Hughes named curator of the Venice Biennale. He has also made the news for his suggestion that contemporary art is a “dictatorship.” Sgarbi once told a reporter, “I regularly attack what I call the ‘art mafia’ … I fight for minorities, I am for pluralism.”

Japan
Artist Tabaimo (given name: Ayako Tabata) has been selected as the artist to represent Japan at the 54th Biennale di Venezia, under the direction of Yuka Uematsu, curator of the National Museum of Art in Osaka. A 35-year-old artist, Tabaimo is know for vast projections that turn traditional ukiyo-e (“floating world”) woodblock-inspired illustrations into eerie, luminous environments. Working across various mediums, the artist also look to the aesthetics of manga and anime, luring viewers in with images that seem to promise domestic tranquility and order — a promise quickly proven false as Tabaimo’s subversion of the genre becomes apparent. Her work for the festival will tackle the theme of the “Trans-Galápagos Syndrome,” a phenomenon in which a country recedes into isolation in the face of encroaching globalization. In 2001, Tabaimo was the youngest artist ever to participate in the Yokohama Triennale, and in 2000 she received the prestigious Kirin Contemporary Award for her undergraduate thesis. Her selection as the artist to occupy Japan’s 2011 pavilion was announced by James Cohan Gallery, which represents the artist in New York.

New Zealand
Michael Parekowhai has been picked to represent New Zealand in the 2011 Biennale, a selection that the country’s National Business Review declared “the most appropriate [decision] that has been made in recent years.” Parekowhai received the Arts Foundation of New Zealand Laureate Award in 2001 and works as an associate professor at Auckland University’s Elam School of Fine Arts. His sculptures are often made from found objects — previous works have involved a Volkswagen van and a grand piano — which he alters to comic effect. Last year, New Zealand’s exhibition, which drew 114,000 visitors, featured the work of Judy Millar and Francis Upritchard.
United States
The Puerto Rico–based multimedia duo Allora & Calzadilla has been announced as the United States’ representatives to the 2011 Venice Biennale, marking the first time that an artist pair or collective has been picked by the nation to fill the prestigious role. The selection was made by the Indianapolis Museum of Art, which the U.S. State Department has entrusted to organize next year’s pavilion. Lisa Freiman, the chair of the museum’s contemporary art department, has been tapped as the commissioner of the pavilion, and will also curate the presentation. Bruce Nauman earned the Golden Lion in 2009 for U.S. pavilion installation. Before Nauman, the U.S. was represented by Felix Gonzalez-Torres (posthumously) in 2007, Ed Ruscha in 2005, and Fred Wilson (who, given Allora & Calzadilla’s political commitments, may be the closet to them in spirit) in 2003. While the U.S. has never selected a collaborative group as its Venice entrant, Britain named Gilbert & George to fill its pavilion in 2005.

by artinfo.com

Multiple love blooms in films at Venice festival

VENICE, Italy — It’s not clear who’s more daring, the German threesome or the French foursome.
In any case, multiple love is in the air at the Venice Film Festival.
Tom Tykwer presented his new film “Three (Drei)” here Friday, the story of a married couple who fall in love with the same man. French filmmaker Antony Cordier told a different tale earlier in the festival in his new film “Happy Few,” about two couples who form an immediate bond, which easily leads to switching sexual partners.
Both movies are in competition for the coveted Golden Lion, to be awarded Saturday evening at the festival’s end.
Cordier called his movie a search for “conjugal utopia” by today’s thirty-somethings who were raised with sexual freedom.
“They are trying to develop new chimeras as a result of this new sexual freedom. It is not bourgeois adultery lived in secret,” said Cordier, whose last film, “Cold Showers,” won France’s Prix Louis Delluc in 2005.
“It is an experience that happens to many people, it happens in many social brackets. We looked at this story because it is so ordinary and banal,” Cordier said.
In the film, Rachel meets Vincent when he works on a website for her jewelry business. She invites him and his wife for dinner with her husband, and before the friendship is cemented they all fall in love. Between the trysts, they keep up normal activities, going away together and out with their children.
But their attempt to have love without rules eventually is tested. Jealousies emerge and the couples need to confront the emotional price of their mutual, consensual affairs.
Marina Fois, who plays Rachel, said she agreed with Cordier’s preference not to analyze the characters in advance.
“He didn’t really want to talk about it beforehand, which is quite sweet because his characters aren’t people who premeditate things,” Fois said.
Cordier said he shot the love scenes without interruption, and cut them later.
He said the women were the engines in the movie, driving the relationships, organizing the normal life around the trysts.
“They make love 100 times in the movie, but one more time and everything becomes impossible,” Cordier said. “Reality is not as nice as the utopia they were dreaming of, which brings them to the end of the story.”
Tykwer’s “Three,” set in Berlin, peppers the Hollywood romantic comedy format with a bit of drama when a happy married couple, Hanna, played by Sophie Rois, and Simon (Sebastian Schipper) separately meet and fall for the same guy, Adam (Devid Striesow).
It’s Hanna who takes the plunge first, spending the night with Adam after running into him on more than one unexpected occasion.
Later in the film Simon meets Adam and sparks fly between them as well.
“It’s obvious that this film is full of romantic moments because the three actors fall in love with each other. So the fact that it became a comedy was just a coincidence,” Tykwer said at a news conference Friday.
Like Cordier, Tykwer sees the story as something that could happen to anyone.
“It’s a strange situation, but a bit banal if you wish, and there are some dramatic moments and extreme events and from this tension stems the comedy,” he said.
Such moments include the unexpected death of Simon’s mother his undergoing emergency surgery. While recovering, Simon meets a nurse with whom he had had a relationship 20 years earlier and who gives him some startling news. Amid all this, regular life, including unexpected love affairs, goes on.
The film reaches a resolution but Tykwer says it’s not aiming “to sell a new idea or a new institution. It’s not about deciding how we should be or in which way we (as a society) should be moving.”
In portraying Hanna, Rois said the question of marriage was also on her mind.
“I wanted to see with what stubbornness we try to stick to the idea of conventional families,” she said.
Tykwer debuted at the Venice film festival with his breakout film, “Run Lola Run” and returned with “The Princess and the Warrior,” his last German language film until “Three.”
Associated Press reporter Colleen Barry contributed to this report from Venice.

Contdown for Biennale’s Award

Countdown to coveted award at Venice film festival
A handful of movies Saturday led the pack of 25 vying for the coveted Golden Lion at the Venice film festival including late-screener “A Single Man” by Tom Ford.
The fashion designer’s first feature film, about a gay man mourning his longtime partner, joined the A-list with “Lebanon” by Israeli Samuel Maoz, Todd Solondz’s dark comedy “Life During Wartime” and miracle story “Lourdes” by Austrian filmmaker Jessica Hausner.
Of those, Maoz’s “Lebanon” may have the edge, according to leading Italian daily Corriere Della Sera and the local paper, Il Gazzetino, as well as Variety magazine.
In the film shot entirely from inside a tank assigned to search a town that had been bombed by Israeli warplanes, four young soldiers play out a tense interpersonal drama as the action unfolds outside, seen through the gunner’s sight.
The intensely personal project tells the story of the first Lebanon war, reliving the director’s own experience as a young Israeli soldier in 1982.
In “A Single Man,” Ford, 48, offers a moving snapshot of life as a homosexual more than four decades ago, at the time of the Cuban missile crisis.
The adaptation of Christopher Isherwood’s landmark 1964 novel on Friday won the unofficial Queer Golden Lion for movies with gay themes or content.
Solondz’s “Life During Wartime” reprises the main characters of his 1998 film “Happiness,” exploring tortured consciences and self-destructive lives in a heavily Jewish southern Florida locale where people are peripherally aware that the nation is at war.
In addition to the Golden Lion for best film, the jury headed by Taiwan’s Ang Lee — the Oscar-winning director of “Brokeback Mountain”, about the forbidden love of two gay cowboys — will recognise a best actor and best actress from among the 25 contenders.
Favourites for acting nods include Isabelle Huppert in Claire Denis’ “White Material,” Sylvie Testud in “Lourdes” and Margherita Buy in Francesca Comencini’s “The White Space.”
Dane Viggo Mortensen turned in an impressive performance in John Hillcoat’s “The Road,” as did Michael Shannon in “My Son, My Son, What Have Ye Done” by Werner Herzog.
But they could be sidelined by Colin Firth, who played mourning professor George Falconer in “A Single Man.”
Firth’s performance was so warmly received at Friday’s screening that the reviewer in the daily La Repubblica feared “massive protest marches” if he does not win the Volpi Cup for best actor, noting that he speaks Italian well, being married to Italian documentarist Livia Giuggioli.
The awards ceremony was set to begin at 7:00 pm (1700 GMT) at the Lido’s Palazzo del Cinema.
Also Saturday, director, screenwriter and actor Sylvester Stallone was set to be the first American to be awarded the Jaeger-LeCoultre Glory to the Filmmaker Award for artists who have left their mark on contemporary cinema.
by: AFP

Countdown to coveted award at Venice film festival

golden_lionA handful of movies Saturday led the pack of 25 vying for the coveted Golden Lion at the Venice film festival including late-screener “A Single Man” by Tom Ford.

The fashion designer’s first feature film, about a gay man mourning his longtime partner, joined the A-list with “Lebanon” by Israeli Samuel Maoz, Todd Solondz’s dark comedy “Life During Wartime” and miracle story “Lourdes” by Austrian filmmaker Jessica Hausner.

Of those, Maoz’s “Lebanon” may have the edge, according to leading Italian daily Corriere Della Sera and the local paper, Il Gazzetino, as well as Variety magazine.

In the film shot entirely from inside a tank assigned to search a town that had been bombed by Israeli warplanes, four young soldiers play out a tense interpersonal drama as the action unfolds outside, seen through the gunner’s sight.

The intensely personal project tells the story of the first Lebanon war, reliving the director’s own experience as a young Israeli soldier in 1982.

In “A Single Man,” Ford, 48, offers a moving snapshot of life as a homosexual more than four decades ago, at the time of the Cuban missile crisis.

The adaptation of Christopher Isherwood’s landmark 1964 novel on Friday won the unofficial Queer Golden Lion for movies with gay themes or content.

Solondz’s “Life During Wartime” reprises the main characters of his 1998 film “Happiness,” exploring tortured consciences and self-destructive lives in a heavily Jewish southern Florida locale where people are peripherally aware that the nation is at war.

In addition to the Golden Lion for best film, the jury headed by Taiwan’s Ang Lee — the Oscar-winning director of “Brokeback Mountain”, about the forbidden love of two gay cowboys — will recognise a best actor and best actress from among the 25 contenders.

Favourites for acting nods include Isabelle Huppert in Claire Denis’ “White Material,” Sylvie Testud in “Lourdes” and Margherita Buy in Francesca Comencini’s “The White Space.”

Dane Viggo Mortensen turned in an impressive performance in John Hillcoat’s “The Road,” as did Michael Shannon in “My Son, My Son, What Have Ye Done” by Werner Herzog.

But they could be sidelined by Colin Firth, who played mourning professor George Falconer in “A Single Man.”

Firth’s performance was so warmly received at Friday’s screening that the reviewer in the daily La Repubblica feared “massive protest marches” if he does not win the Volpi Cup for best actor, noting that he speaks Italian well, being married to Italian documentarist Livia Giuggioli.

The awards ceremony was set to begin at 7:00 pm (1700 GMT) at the Lido’s Palazzo del Cinema.

Also Saturday, director, screenwriter and actor Sylvester Stallone was set to be the first American to be awarded the Jaeger-LeCoultre Glory to the Filmmaker Award for artists who have left their mark on contemporary cinema.

by: AFP

Venice film fest for Iran

Venice film festival gives voice to Iranian opposition
The Venice film festival is providing a timely forum for Iranian works such as Shirin Neshat’s “Women Without Men” amid crackdowns on opposition groups disputing the June elections in their country.
Thursday saw the screening of “Green Days”, the second feature-length film of Hana Makhmalbaf, 21, the daughter of filmmaker Mohsen Makhmalbaf.
Made since the election, the film uses news footage including the killing of Neda Agha-Soltan, who became a symbol of martyrdom for the cause of freedom and democracy in Iran.
In “Green Days,” the central character Ava is a young woman suffering from depression who fails to catch the spark of enthusiasm for the elections. Rather, she heads out into the streets to seek dialogue with compatriots she sees as mere dreamers.
Neshat made her directorial debut Wednesday with “Women Without Men,” dissecting Iranian society at the time of the 1953 CIA-backed coup that overturned the nationalist government of Mohammed Mossadegh and installed the Shah in power.
Against that backdrop, four women — a prostitute, an activist, a cosmopolitan woman and a traditional young girl — fight for individual freedom and independence, winding up together at an idyllic orchard in the countryside.
“The four characters are who I am — every one of them carries some personal dilemma, though it is not exactly autobiographical,” the young photographer and visual artist told reporters.
Based on a novel by Shahrnush Parsipur, the film vying for the prestigious Golden Lion here is dedicated to “those who lost their lives fighting for freedom and democracy in Iran, from the constitutional revolution of 1906 to the Green Movement of 2009.”
Neshat said: “This film speaks to the Iranian people and the world. We have been struggling for over 100 years, and we will not give up. … We will get there one day.”
In the film, partisans of Mossadegh march in the streets before being crushed on the orders of Shah Mohammed Reza Pahlavi.
“Dictators have changed in form and shape and ideology, but the struggle for liberation still goes on,” said Neshat, wearing green, the colour of the Iranian reformist movement.
Amirali Navaee has two short films in the festival, “As I Was Leaving My City” and “My Atomic Beloved.”
In the first, the camera focuses on the legs of a dancing man, passing by those of a beggar, a sweeper, and someone who is being handcuffed by police.
“My Atomic Beloved” shows a young man rushing through the house of his ex-girlfriend 12 hours before an atomic bomb strikes Tehran.
The short films are part of the Venice Days section, which this year paid homage to the “resistance” of Iranian cinema.
The selection also includes “Muli,” a black-and-white animation by Marjon Farsad, about a little girl who dreams of becoming a scientist but lives with the fear of “not being able to play again, one day.”
Other Iranians featured in Venice are Hana Kamkar with “Shahrzad” and dissident Arash Irandoost with “Paper Airplane.”
And for International Critics’ Week, another Venice filmfest programme, Nader T. Homayoun offered his film noir “Tehroun” exploring the underbelly of the Iranian capital.
by: AFP

Venice film festival gives voice to Iranian opposition

neshatThe Venice film festival is providing a timely forum for Iranian works such as Shirin Neshat’s “Women Without Men” amid crackdowns on opposition groups disputing the June elections in their country.

Thursday saw the screening of “Green Days”, the second feature-length film of Hana Makhmalbaf, 21, the daughter of filmmaker Mohsen Makhmalbaf.

Made since the election, the film uses news footage including the killing of Neda Agha-Soltan, who became a symbol of martyrdom for the cause of freedom and democracy in Iran.

In “Green Days,” the central character Ava is a young woman suffering from depression who fails to catch the spark of enthusiasm for the elections. Rather, she heads out into the streets to seek dialogue with compatriots she sees as mere dreamers.

Neshat made her directorial debut Wednesday with “Women Without Men,” dissecting Iranian society at the time of the 1953 CIA-backed coup that overturned the nationalist government of Mohammed Mossadegh and installed the Shah in power.

Against that backdrop, four women — a prostitute, an activist, a cosmopolitan woman and a traditional young girl — fight for individual freedom and independence, winding up together at an idyllic orchard in the countryside.

“The four characters are who I am — every one of them carries some personal dilemma, though it is not exactly autobiographical,” the young photographer and visual artist told reporters.

Based on a novel by Shahrnush Parsipur, the film vying for the prestigious Golden Lion here is dedicated to “those who lost their lives fighting for freedom and democracy in Iran, from the constitutional revolution of 1906 to the Green Movement of 2009.”

Neshat said: “This film speaks to the Iranian people and the world. We have been struggling for over 100 years, and we will not give up. … We will get there one day.”

In the film, partisans of Mossadegh march in the streets before being crushed on the orders of Shah Mohammed Reza Pahlavi.

“Dictators have changed in form and shape and ideology, but the struggle for liberation still goes on,” said Neshat, wearing green, the colour of the Iranian reformist movement.

Amirali Navaee has two short films in the festival, “As I Was Leaving My City” and “My Atomic Beloved.”

In the first, the camera focuses on the legs of a dancing man, passing by those of a beggar, a sweeper, and someone who is being handcuffed by police.

“My Atomic Beloved” shows a young man rushing through the house of his ex-girlfriend 12 hours before an atomic bomb strikes Tehran.

The short films are part of the Venice Days section, which this year paid homage to the “resistance” of Iranian cinema.

The selection also includes “Muli,” a black-and-white animation by Marjon Farsad, about a little girl who dreams of becoming a scientist but lives with the fear of “not being able to play again, one day.”

Other Iranians featured in Venice are Hana Kamkar with “Shahrzad” and dissident Arash Irandoost with “Paper Airplane.”

And for International Critics’ Week, another Venice filmfest programme, Nader T. Homayoun offered his film noir “Tehroun” exploring the underbelly of the Iranian capital.

by: AFP