Giorgia Boscolo: first female gondolier

Giorgia Boscolo, a 23-year-old mother of two, is Venice’s first official female gondolier

giorgiaGiorgia Boscolo dreamed of following in her father’s gondola wake since girlhood. All she had to do was overcome nine centuries of taboos.

Reporting from Venice, Italy – As a little girl in Venice, Giorgia Boscolo was forever bugging her father to let her ride with him in his gondola. While her three sisters played with their dolls, she would beg him for a turn with the remo, or oar.

Dante Boscolo, an indulgent Italian father, humored his pint-sized shadow — to a point.

“My father only let me row when it was bad weather,” Giorgia recalled with a laugh.

His retort was swift: “That’s how you learn.”

Learn she did. Last month, the 23-year-old mother of two calmly took her place in one of Venice’s storied gondolas and gently steered the sleek black boat straight into the annals of history.

With the splash of her oar, nine centuries of taboos in this romantic canal city shattered as Boscolo passed a rigorous exam of brains and brawn to become Venice’s first official female gondolier — or gondoliera in Italian, a term that didn’t even exist until her achievement made it necessary.

The waters have been choppy at times, and not just in the canals, but Boscolo at last feels in her element.

“I was born among gondoliers,” she said on a languorous afternoon brilliant with sunshine. “It’s the only job I’ve ever wanted.”

Boscolo’s breakthrough propelled her into the ranks of what can no longer be described with complete accuracy as an elite fraternity, made up of bluff and hearty boatmen whose presence along Venice’s winding waterways seems as timeless as the city itself.

Fewer than 500 gondoliers are licensed to navigate Venice’s network of 150 canals. They’re a fairly macho bunch, instantly recognizable in their jaunty black-and-white-striped shirts, lounging lazily against the bank-side walls waiting for tourists to hire them or letting loose the occasional low whistle at women who walk by.

They are heirs to a tradition stretching back nearly a millennium, when the signature banana-shaped boats first began plying the waters as a quick and easy means of transport. The men who captained them became indispensable fixtures around the Venetian lagoon, proud of their skill and bonded by shared experience.

As is inevitable when such a testosterone-laden citadel is breached, not all of Boscolo’s new colleagues have been thrilled about her entry into their midst. Some grumble sotto voce that she’s become too big for her britches, upending the old order and hogging all the attention.

Boscolo shrugs off the criticism with the same determined cool that got her here in the first place.

“The important thing is to do what you want to do,” she declared.

Whether she sought it or not, there’s no doubt that Boscolo commands the spotlight. When it was announced at the end of June that she had qualified, just barely, as an apprentice gondolier, the media hordes swooped in.

TV stations jockeyed for airtime with the telegenic blond. A savvy entrepreneur swiftly turned Boscolo and her boatman father into pinup models, featuring them together as Mr. and Ms. April in a 2010 calendar of sexy gondoliers that hit stores within days.

“I didn’t expect it,” she said, shaking her head at the feeding frenzy. “Every phone call was a different journalist.”

Rumors spread that she’d hired a smooth-talking agent to handle her affairs and was demanding money for interviews. Boscolo has denied those reports, saying she merely delegated the task of fielding so many calls and requests to one of her sisters and that the only payment she has asked for was reimbursement for the cost of traveling to Milan for an interview.

Still, the hype rang alarm bells at the gondoliers guild, the centuries-old guardian of gondoliering tradition. The association presides over what remains a tightly controlled, almost feudally organized trade that regulates even the smallest of details, down to the width of the stripes on the gondoliers’ shirts and the hefty fines they must pay for infractions of the official code of conduct.

Guild officials warned Boscolo to rein in her newfound celebrity or risk losing her apprenticeship.

by: www.latimes.com

Order of films at Venice Film Festival

Line-up of films at Venice Film Festival

leone_doroA list of the films in competition for the Golden Lion at the 66th Venice Film Festival, which will run from Sept. 2-12:

“Baaria” by Giuseppe Tornatore, Italy.

“Soul Kitchen” by Fatih Akin, Germany.

“La doppia ora” (The Double Hour) by Giuseppe Capotondi, Italy.

“Yi ngoi” (“Accident”) by Pou-Soi Cheang, China-Hong Kong.

“Persecution” by Patrice Chereau, France.

“Lo spazio bianco” (The White Space) by Francesca Comencini, Italy.

“White Material” by Claire Denis, France.

“Mr. Nobody” by Jaco van Dormael, France.

“A Single Man” by Tom Ford, U.S.

“Lourdes” by Jessica Hausner, Austria.

“Bad Lieutenant: Port of Call New Orleans” by Werner Herzog, U.S.

“The Road” by John Hillcoat, U.S.

“Ahasin Wetei” (“Between Two Worlds”) by Vimukhti Jayasundara, Sri Lanka.

“El Mosafer” (“The Traveller”) by Ahmed Maher, Egypt.

“Levanon” (“Lebanon”) by Samuel Maoz, Israel

“Capitalism: A Love Story” by Michael Moore, U.S.

“Zanan-e bedun-e mardan” (“Women Without Men”) by Shirin Neshat, Germany.

“Il grande sogno” (The Big Dream) by Michele Placido, Italy.

“36 vues du Pic Saint Loup” (“36 views from the Pic Saint Loup”) by Jacques Rivette, France.

“Survival of the Dead” by George A. Romero, U.S.

“Life During Wartime” by Todd Solondz, U.S.

“Tetsuo The Bullet Man” by Shinya Tsukamoto, Japan.

“Lei wangzi” (“Prince of Tears”) by Yonfan, China-Hong Kong.

by: The Associated Press (AP)

66th Venice Film Fest

Venice adds extra dimension to prizes

la_biennale_di_veneziaThe Venice Film Festival is riding the 3-D wave all the way, launching a nod for best 3-D stereoscopic film of the year.

Sponsored by Italy’s fashionable Persol eyeware, the new Lido nod will go to a 3-D feature deemed the most creative among those produced globally between September 2008 and August 2009.

The three-member jury comprises U.S. critic Scott Foundas, who is film editor of L.A. Weekly and a Variety contributor; fellow Yank esteemed cinephile Dave Kehr, columnist for the New York Times; and Italian experimental 3-D filmmaker Nadia Ranocchi, member of a visual arts collective called Zapruder.

3-D prize segues from previously announced career Golden Lion to John Lasseter and his Pixar team, who will unveil the 3-D versions of “Toy Story” and “Toy Story 2.”

Lasseter, who is chief creative officer of Pixar and Disney Animation Studios, will travel to the Lido accompanied by helmers and fellow award-winners, Brad Bird (“Ratatouille”), Pete Docter (“Monsters, Inc.”), Lee Unkrich (“Finding Nemo”) and Andrew Stanton (“Finding Nemo” and “Wall-E”).

Another expected, though still unconfirmed, 3-D title is Joe Dante’s horror pic “The Hole.”

In a separate announcement on Monday, the fest’s parent organization, the Venice Biennale, announced some infrastructural improvements.

Pending ongoing construction of the Lido’s new Palazzo del Cinema, the Venice fest will have a new provisional 450-seat tent-like theater, called Sala Perla 2, for pics unspooling in Venice Days and Critics’ Week sidebars.

The Sala Palalido, where many of the press screenings were formerly held, will be renamed Sala Darsena and will become equipped with a red carpet to accommodate the fest’s cutting-edge competitive Horizons section.

Also the Lido will have a new general entrance this year, directly from the dock side of the Casino where accreditation services will be located.

The 66th edition of Venice will run Sept. 2-12.

by www.variety.com

Baroque artists in Cambridge

Longy International Baroque Institute begins July 24

baroqueCambridge - Baroque artists from around the globe will gather at Longy School of Music from Friday, July 24, to Sunday, Aug. 2, for the annual International Baroque Institute at Longy School of Music (IBIL) to celebrate the Baroque music of Italy and Germany.

Based on the theme, “The Venice-Dresden Connection,” the gathering will include master classes, ensembles, orchestra, dance, lectures and five concerts.

More than 60 students will gather to study with world-famous Baroque musicians at the institute. Festivities include five concerts, open to the general public, from July 27 to Aug. 1 in Longy’s Edward M. Pickman Concert Hall at 27 Garden St., near Harvard Square. Events culminate with a grand finale Saturday, Aug. 1, featuring food, dance, vocal and instrumental intermezzi and orchestra.

“This seminar revives the great tradition of musical exchange between Dresden, Germany, and Venice, Italy, during the reigns of Frederick Augustus I and his son, Frederick Augustus II (1694-1763), that marked the musical and cultural life of the two capitals for a span of more than two centuries,” said director Paul Leenhouts, recorder, of the Sweelinck Conservatory in Amsterdam. “Thanks to the young Prince Elector August II’s special liking for Italian culture, Dresden was the most important place for Italian music and opera outside Italy in the 18th Century.”

Longy faculty member Phoebe Carrai, a preeminent Baroque cellist, is co-director of the institute. Longy faculty member Ken Pierce, with a specialty in early dance, will lead the dance program. Other international luminaries include vocal performers and players of violin, cello, harpsichord, viola da gamba, bassoon, oboe, traverso and lute.

The concert schedule is:

Monday, July 27, at 8 p.m. — “Musica di San Marco.” Virtuoso chamber music by IBIL faculty and guest artists. Admission is $15, $10 for students and seniors.

Thursday, July 30, at 8 p.m. — “Florence on the Elbe.” Vocal and instrumental chamber music by IBIL participants. Admission is $15, $10 for students and seniors.

Friday, July 31, at 1 p.m. — “Il Pio Ospedale della Pieta.” A lunchtime concert by IBIL participants. Admission is free.

Friday, July 31, at 8 p.m. — “Il pastor fido.” Virtuoso chamber music by IBIL faculty and guest artists. Admission is $15, $10 for students and seniors.

Saturday, Aug. 1, at 7 p.m. — “Per l’Orchestra di Dresda.” IBIL’s grand finale concert featuring students and faculty of the International Baroque Institute. Admission is $25, $15 for students and seniors.

For tickets or more information, call Longy School of Music at 617-876-0956, ext. 1500, or visit www.longy.edu.

by www.wickedlocal.com