Death in Venice Venetians to Stage Their Own Funeral Venetians Say Dwindling Population,

vista-su-canaleThe clock is ticking for Venice, one of the most beautiful cities in the world, as the city’s population slowly declines.
One of the most populated cities in the world in the 16th century, now the number of residents has dropped to under 60,000 and with an average of up to 150,000 tourists visiting each day Venetians are feeling outnumbered and fear they will soon be squeezed out. A Venetian community group even has plans to stage a funeral for Venice to provoke officials into saving the city.

This jewel of a city, with its romantic views of canals, bridges and gondolas, has enough problems surviving as it slowly sinks into the Venetian Lagoon. That problem always seems to be put off and never properly tackled.
Esteemed international experts somberly predict the city’s demise while Venetians wring their hands in despair. A few of these even envision apocalyptical scenes of the last few “real Venetians” caged on show in Piazza San Marco or of gates clanging shut at night after the straggling tourists on their day-passes exit the artistic wonderland.
Venice’s city hall sends out a continuous battle cry – “Stop the city from sinking! Stop the flooding! Stop the exodus of Venetians! Stop the old palazzi from crumbling! Stop the day trippers! Stop the rich foreigners buying up the palaces as investments! Stop the pigeons! Stop the beggars!” — as it tries to raise more funds to save Venice and preserve its artistic heritage while desperately keeping in step with modern times.

It launched a public Wi-Fi system in July and in a baffling move has just announced that the city will formally bid for the 2020 Olympics.

But some Venetians feel not enough is being done to save the dwindling population and have started to take action.

Andrea Morelli’s family has owned the pharmacy in campo San Bartolomeo which dates back to the 16th century in the heart of Venice for over a century. He has placed a “Venetian resident counter” in his shop window to get Venetians motivated.
The counter is updated regularly with the city’s official data of how many Venetians are resident in the city. Today the digital luminous counter shows 59,984; when it was installed in March 2008 it showed 60,704. “I feel a bit sad,” Morelli said, when he looks at the digital counter each day. “But I see it as something that should also stimulate us to do something. Venetians who come into the pharmacy always cast a glance at the figure and my shop has become a sort of forum, a place to come and debate about the future of Venice.”
Several leading community groups have formed recently to unite Venetians wishing to improve their city and are all fueled by active Web sites.

The idea of the digital resident counter was dreamed up by the Venessia.com supporters, an online group dedicated to protecting the “Venetian way of life.”

Launched by Stefano Soffiato nine years ago as his personal site where he commented on what he saw around him in Venice during his daily life, the site now gets up to 8,000 hits a day. It has spawned a forum with 900 Venetian citizens as members.

The group will meet in a bar this week to put the final touches on its latest enterprise: the staging of a funeral for Venice along the Grand Canal, complete with coffin, drums and funeral oration.

The water-convoy of boats will float down the Grand Canal from the station area, Piazzale Roma to the Rialto bridge where it will stop in front of the city hall. A gondola will dramatically lead the procession bearing a symbolic coffin painted in shocking pink fuchsia.

“I’ve made the coffin already – it’s my size!” says Stefano, laughing. He sounded amused as he explained, “I think we will be greeted by women wearing black. But we don’t want a sad event. We plan on being reborn after the funeral!”

“Yes of course it’s a provocation”, he admits, “but if we didn’t do this funeral or put the resident counter in the window nobody would notice that Venice is slowly declining as well as changing. If the Venetians leave Venice, Venice will disappear and all that will remain is a Disneyland.”
The hope is that the city council will be moved to take measures to stop the exodus and entice back the Venetians who have fled to the mainland.
We hope to arrive in front of the city hall and find hundreds of Venetians there waiting for us,” says Matteo Secchi, another Venessia.com member, “We want everyone to understand that behind the postcard of Venice – the gondola and the canals and all the romanticism – there is a decimated population. Venice is a special place.” “The socio-economic fabric of the city has been destroyed,” continues Secchi. “It has just become full of hotels, restaurants, and mask and glass shops. The politicians must put a stop to this. What they do is just special effects – new bridges and stuff like that – but they have forgotten the inhabitants of this place. In the last five years the city has not inaugurated one new residence for Venetians, there are 5,000 unrented houses in the city and 2,500 people on a list awaiting public housing.”

Venetians increasingly find their daily activities impeded by the throngs that visit each day.
“This is a truly pedestrian city and the beauty of any city is when one can walk about freely and admire its beauty,” says Soffiato. He remembers the Venice he grew up in: “We felt like the city belonged to us and I think the tourists felt special then; now we feel more like outsiders”.

Then again, says Soffiato, “all you have to do is avoid the ‘off limits’ areas around the tourist attractions like St. Marks square, and step into a small alley along a canal to see the old people in the streets and the children playing safely. That Venice still exists!”

Morelli says city administrators haven’t done enough for the city. He thinks more should be done to target “real culture” and dreams of a real living university campus in Venice that would attract young people to live here and “who knows, maybe become Venetian citizens one day!” But he sighs when he admits that most students couldn’t afford to live in Venice today even if they could find a place.

Strangely, many Venetians are not totally opposed to the idea of bringing something as huge and disruptive such as the Olympics to Venice. “If it brought funds and modern structures to Venice and helped us with our transport system, which is one of our biggest problems, it could do a lot for this city,” says Morelli. The city council insists it is doing what it can with the reduced funds at its disposal.
The negative demographic balance is mainly because the number of people who die is greater than the births, the city council says. And the city is trying to coordinate tourist flows to stop Venice from being overrun on certain days. This January they inaugurated www.veniceconnected.com, an online booking site, aimed at helping visitors get discounts if they plan their holiday in advance.

When the number of Venice residents slipped under the 60,000 mark last week, the mayor, Massimo Cacciari, seemed unconcerned. “So what’s new?” he exclaimed, “There’s no difference between 60,000 inhabitants and 59,999.”

But many Venetians say that there is, and are rallying to do something about it.

source abcnews.go.com

Chavez at Biennale

Chavez walks Venice red carpet

chavez_veniceHe’s one of the most controversial figures walking the political stage at the moment – but at the Venice Film Festival, Venezuelan President Hugo Chavez has been walking the red carpet.

He was in Venice for the world premiere of director Oliver Stone’s documentary examining his portrayal in the media.

Hundreds of admirers turned out to greet him, some of them chanting “president, president” in Spanish. He played up to the part of movie star, meeting the public and throwing a flower into the crowd. He even took a photographer’s camera to snap himself.

Rumours that the president might be paying a “surprise” visit leaked out a day or so in advance – helped by the sudden presence of Venezuelan military officials in the city.

Although the presence of celebrities from Tom Cruise to Brad Pitt and Angelina Jolie is commonplace during the festival, security was the tightest it’s ever been, with armed guards checking bags and a tight cordon around the Palazzo Del Cinema.

US ‘paranoia’

Seeing a man frequently described as a “dictator” by parts of the American media on such close terms with a prolific Hollywood director is one of the most interesting photo opportunities the festival has ever offered reporters.

Hugo Chavez has been seen as a maverick – and much worse – since he was elected in 1998. He has been outspoken on US foreign policy and once described former President George Bush as a “donkey”.

It’s earned him little favour from the more conservative elements of the American press. Within the last few days, Mr Chavez has signed an oil deal with Iran.

Stone’s documentary “South of the Border” started as an attempt to find out the truth behind the newspaper headlines about the Venezuelan leader.

“The demonisation of Chavez has been intense to the point it’s hilarious,” Stone told the BBC. “We show that in the movie.

“America is paranoid about its ‘enemies’, whether it’s Venezuela, Iran or Iraq. I think there are dangerous consequences and this is an attempt to lessen that paranoia.

“We wanted to emphasise the good things that have happened in Venezuela, like the poverty rate being cut by 50% since he assumed power. Even his enemies would say that on that front, Chavez has done well.”

Stone was granted unprecedented access and interview time with his subject, and from that the film grew into a full-scale tour around much of South America, meeting several heads of states – all of whom claim on camera to be supporters of Mr Chavez.

Audiences see Stone playing soccer with Bolivian President Evo Morales, and asking Argentinian President Cristina Fernandez De Kirchner how many pairs of shoes she owns. But there are also less light-hearted subjects to document.

“All the presidents I met confirmed all their countries are undergoing vast changes, and there is an anti-Washington consensus,” he reports.

“South America has been treated as North America’s backyard for too long, and the pendulum has started to swing. Fidel Castro told me in an interview back in 2002 that that would happen, but I never believed it at the time. I believe only Mexico and Colombia could now be described as pro-USA.”

‘He’s got discipline’

The director has come from making the movie convinced that Mr Chavez does not deserve the description of “dictator”, despite having survived a coup and having stayed in power for a decade.

“The guy has survived 12 electoral processes,” he comments. “Jimmy Carter went down to supervise one of them and he called it the fairest election he had ever seen.”

From the scenes on the Venetian red carpet, Hugo Chavez and Oliver Stone have certainly formed a bond. In the movie, the president addresses Stone as “my brother”.

“I see him as a soldier,” Stone says. “Most guys get weak, but he’s gonna die with his boots on. He’s got discipline.”

South of the Border got an enthusiastic reception from a critics’ screening at Venice – but the very media Stone is examining is unlikely to respond warmly to the director’s portrait of Mr Chavez – and Stone’s final assessment that much of what he is doing is right.

The Venice Film Festival runs until 12 September.

by: news.bbc.co.uk

Hugo Chavez in Venice

Chavez the un-demon comes to Venice in Stone film

chavezOliver Stone seeks to demolish US demonisation of leftist Venezuelan President Hugo Chavez in his hard-hitting “South of the Border” screened Sunday at the Venice film festival.

Through a series of interviews interlaced with footage from US media and official statements, Stone is out to show that Chavez is not “public enemy number one” as so often depicted on US media outlets such as Fox News.

He tells the story of Venezuela’s “peaceful revolution” since Chavez came to power in 1998, and how Venezuela’s transformation has had knock-on effects in the rest of the continent.

For his admirers, Chavez, who grew up in a peasant family, is an emblematic figure of bottom-up change, says Stone, who directed the 2003 film “Comandante” about Cuba’s Fidel Castro and the Central America war movie “Salvador” in 1986.

Interviewed by Stone, Argentine President Cristina Kirchner says in the film: “It is the first time in history that the leaders of so many countries look like the people they govern.”

She points to Bolivia’s first indigenous head of state Evo Morales, Brazilian President Luiz Inacio Lula da Silva, a former metalworker, Paraguayan leader Fernando Lugo, a former priest, and Chavez himself, all of whom came from the bottom rungs of society.

Each is interviewed by Stone, 62, who has Oscars for “Platoon” (1986), “Born on the 4th of July” (1989) and the screenplay of “Midnight Express” (1978).

“For many years we had elites that were servile to the United States,” says Lula in the documentary, which was shown in a screening for the press.

Reports say Chavez may come to Venice for the official screening of “South of the Border” out of competition on Monday.

The appearance of a foreign head of state would be a rarity in the long history of the world’s oldest film festival.

Currently on a world tour that has taken him to Asia, Africa and Europe, Chavez does not give details of his private visits for security reasons.

“Yes, it is possible to change the course of history,” says Chavez, adding: “I hope (US President Barack) Obama will become a new Roosevelt.”

In his appreciation for Franklin Roosevelt, Chavez has something in common with US documentary maker Michael Moore, whose “Capitalism: A Love Story” was premiering Sunday at the 66th Mostra film festival.

In the film, Moore recalls Roosevelt’s never realised proposal for an “economic bill of rights” that would guarantee a living wage, freedom from unfair competition, a home, medical care, education and recreation.

Moore said he hoped his frank but funny documentary would give a voice to people whose “lives are ruined by decisions by people who don’t have their best interests in mind.”

Pointing to the Berlin Wall coming down and Nelson Mandela emerging from an apartheid prison to eventually become president of South Africa, Moore said: “I’m constantly surprised at the ability of people around the world to make things possible.”

Also Sunday, animation guru John Lasseter and Disney/Pixar received a career Golden Lion at a gala ceremony on Sunday.

“This is a tremendous honour,” Lasseter said, flanked by Disney/Pixar directors Brad Bird, Peter Docter, Andrew Stanton and Lee Unkrich.

“Pixar is founded on true creative collaboration,” he said after receiving the award from George Lucas, who sold off Pixar — then Lucasfilm’s computer graphics division — in 1986 for 10 million dollars.

“These are my best friends and my brothers in creative film making,” Lasseter said.

Lucas offered congratulations to “my little backroom operation that started in 1979″ and went on the create such films as “Finding Nemo,” “Wall-E”, “The Incredibles”, and the “Toy Story” series.

by: AFP

Italian culture wars at Biennale

Italy’s culture wars in focus at Venice film festival

alessandra_mussoliniConservative Italy’s culture wars came into sharp focus at the Venice film festival Friday as movies on Romanian immigrants and the nation’s TV-celebrity-power nexus stirred controversy.

Alessandra Mussolini, granddaughter of the Italian dictator, threatened to sue the makers of a film that claims she wants to have Romanian immigrants killed, while public television’s decision to ban the trailer of “Videocracy” backfired triggered a marketing bonanza for the film.

The controversies came after the festival’s opening day Wednesday saw a massive security detail on hand to control some 50 actors, directors, technicians and students protesting cuts to funding for cultural projects under the centre-right Berlusconi government.

Mussolini, 45, said Thursday: “My lawyer has everything in hand. If what I have read is true he told me that we could seek not only damages but the film’s confiscation.”

A phrase in the film “Francesca” selected for the Venice festival’s “Horizons” section refers to Mussolini as a “bitch who wants to kill all the Romanians.”

“It’s one thing to make a general insult, but such a tone cannot be used, art or no art,” Mussolini, a lawmaker of Berlusconi’s People of Freedom party, told the ANSA news agency.

Bobby Paunescu’s film on the tribulations of a Bucharest teacher who dreams of opening a kindergarten for Romanian immigrants in Italy also cites Verona Mayor Flavio Tosi as the “shit mayor” of the northeastern city.

Paunescu said in Venice on Thursday: “I cited these two politicians because I have heard them say some very serious things on television. Tosi said Verona should be freed of Romanians, even though he later said he was talking about gypsy camps.”

For her part, “Mussolini said that Romanians have rape in their DNA, which is a crazy thing and a statement that the granddaughter of the famous Duce should take responsibility for,” Paunescu said, quoted by the daily La Repubblica.

Berlusconi swept back to power for a third time last year in alliance with the anti-immigration Northern League on a platform that associated immigration with crime.

A series of violent crimes including rape and murder blamed on Romanian immigrants played a key role in their victory.

Also making waves in the lagoon city is “Videocracy,” a documentary about the impact of the prime minister’s media empire.

“Television has invaded the collective imagination of the country,” said “Videocracy” director Erik Gandini.

“Outsiders laugh at our television, and at Berlusconi … but it has had a very notable impact on our country.”

Game shows and variety shows featuring scantily clad women, now seen by many as a ticket to wealth, fame or power, dominate the channels operated by the Berlusconi family’s Mediaset group.

Berlusconi’s son Pier Silvio, Mediaset’s vice president, has said that the group’s programmes have changed the country — for the better.

On Friday, the head of public station Rai Tre criticised Rai’s decision not to air the film’s trailer.

The film’s distributor said the ban resulted in a surge of requests for prints of “Videocracy” to screen in Italy, from 25 to 70.

The film opens in Italian cinemas on Friday.

On the festival’s opening night Wednesday, a young woman was injured when police moved to prevent a handful of protesters from entering the luxury Hotel de Bains on the Lido where many film celebrities stay for the festival.

by: AFP